Talking Mirror
Ritik ji, that's a sharp little catch on its own, sound has no sadness in it, the meaning gets stitched on. But notice where you stopped, you turned the question outward, onto the dholak, onto conditioning in general, instead of onto the moment you actually feel a tune as sad. The dholak not managing sadness isn't the interesting bit. The interesting bit is you, sitting with a guitar's minor chord, ready to call it grief. Next time a tune moves y…
