Acharya Prashant explains that no one remains stuck in a situation just for the suffering; there is always some pleasure or "juice" being derived from it. If a situation were purely painful, one would not stay there. He points out that there is certainly happiness involved as well, but people tend to hide this happiness. He considers it a great injustice to himself when people enjoy themselves, taste pleasures, and do not remember him at all. However, when they have to pay for that pleasure and the bill for their suffering arrives, they come to him complaining that life is full of sorrow. He asks them to tell the other side of the story, the part that happened before the "intermission." He likens this behavior to watching a movie that is a romantic comedy before the interval and a tragedy after; people only show him the tragedy. He humorously states that it is his fate to be shown the mess after people have eaten and drunk to their fill. Using a vivid analogy, he says people eat "Malai Kofta" (a rich dish) themselves, and when they get diarrhea, they call him to clean up the mess. He emphasizes that one cannot have diarrhea without first having eaten the "Malai Kofta." Acharya Prashant further elaborates on this hypocrisy. While enjoying rich foods like "buttery garlic naan" with "Malai Kofta" and "Kadai Paneer," if his name were to come up, they would dismiss it so as not to spoil the mood. But when the consequences of their indulgence manifest as suffering, they turn to spirituality and seek his refuge. He insists that if they are going to ask him questions, they should at least be truthful and present the full story, including what they "ate" to cause their suffering. He humorously describes their life as a swing between "pickle" (pleasure) and "Acharya" (the teacher) for when the pickle doesn't digest. He calls this dishonesty and states that he will not play along with it. If they want to engage, the whole story must be told openly and honestly.