Acharya Prashant addresses the public outrage surrounding the film 'Adipurush', stating that he is not surprised by its content because the film is merely a reflection of today's culture. He posits that the anger people feel is not towards the film, but a subconscious anger towards their own lives and the degraded state of modern society, which the film accurately mirrors. The film, according to him, simply superimposes the values, language, and aesthetics of the current 21st-century North Indian culture onto the epic of Ramayana. In a way, the film serves as an unintentional satire on contemporary society. The speaker points out that the 'chhapri' (tacky or cheap) language used in the film, which has caused much anger, is the same language that is popular today on social media and among influencers. People enjoy and promote this language in their daily lives, so its appearance in the film is just a reflection of that reality. The anger, therefore, is a form of hypocrisy, as people are angry to see their own reflection on the screen. The film is a product of the demand created by the common person's preferences. He further elaborates that the film is replete with Western influences, which is a sign of our inferiority complex. Lanka is depicted as a dark, Gothic place, aligning with the Western concept of black being evil, contrary to Indian tradition where many revered deities are dark-skinned. The characters are portrayed as muscular superheroes, akin to those in Marvel or DC movies, and even the jungle scenes look European, reflecting the modern aspiration for foreign destinations. The speaker argues that the filmmaker is simply showing us a mirror of our own colonized mindset. We are so influenced by the West that we want to see our gods in that mold. Acharya Prashant concludes that the mind of the common person has drifted far from the true essence of Ram (Ramatva) and Krishna (Krishnatva). Instead of striving to be like our ideals, we are distorting them to be like us. He quotes Sant Tulsidas, who described Ram as 'Brahma Paramarth Rupa' (the form of Brahman, the ultimate truth), who is imperceptible, without beginning, and incomparable. He also refers to Sant Kabir, who spoke of four kinds of Ram, with the fourth being the ultimate truth beyond all forms and concepts. The speaker asserts that when the mind moves away from the truth of Ram, it will inevitably twist and distort His character for its own convenience. The film 'Adipurush' is a manifestation of this cultural and spiritual degradation.