Acharya Prashant states that we become very happy if our child appears on TV, thinking they have so much talent because they are singing a song. He questions what song an eight-year-old child, for instance, a boy named Sonu, is singing on TV. He reveals the child is singing 'Munni Badnaam Hui' (Munni was defamed). While acknowledging this might be an extreme example, he asks which film song is actually suitable for an eight-year-old child. He criticizes the music maestros sitting there who praise the child, saying this boy will make India proud tomorrow. Encouraged, the child then promises to prepare 'Choli ke peeche kya hai' (What's behind the blouse) for the next time. The speaker extends this to making a young girl dance, questioning the kind of gestures and steps she is made to perform, such as swaying her hips and shaking her chest. He calls this a form of rape, emphasizing the child is only eight years old. He mentions another song, 'Dhak Dhak Karne Laga' (My heart started beating fast), and points out that the parents are in the audience, clapping and waving at the camera, proud that they have produced this child. He asserts that this is not just happening on talent shows but in the drawing-room of almost every middle-class home, where a child is asked to show their talent to a guest. He then connects this to the rise in incidents of child sexual abuse, sarcastically attributing it to the 'talent' that parents have instilled in their children. He explains that an eight-year-old girl takes inspiration from her sixteen-year-old sister, whose mind is being filled with garbage. This garbage is most intensely transmitted during weddings and festivals. He argues that if an eight or ten-year-old child stays in a wedding house for a month, they are ruined. He contrasts this with the fact that the Bhagavad Gita is not recited in such homes, but many other 'lessons' are taught, which the child absorbs. He says they become graduates in the 'Kok Shastra' in that one month. Now, every home has Netflix, where there is no censor board. He calls streaming a 'river' and questions what kind of river is flowing into every home, bringing content that cannot even be shown in theaters. Acharya Prashant questions who is watching this content and whether parents send their children out of the room when they watch it. He observes that adults become so engrossed with the TV that they are unaware that their child, sitting next to them, is also watching the same thing. Even if you don't make your children dance to obscene songs, you are listening to them in your homes. He asks if the sound from the speakers only reaches the parents' ears and not the children's. While you may enjoy a song like 'Justujoo jiski thi usko toh na paaya humne' (The one I was searching for, I couldn't find), the child is also learning something from it and will be filled with that learning.