A questioner begins by reciting a couplet from Kabir Saheb, expressing that he feels like a greedy person who takes the name of love but cannot offer his head as a fee. He then asks Acharya Prashant why, after not crying for many years, he now cries a lot when singing Kabir's verses, without knowing the reason. Acharya Prashant explains that this happens because the words are affecting a part of the mind where there is darkness, a place beyond conscious awareness. He uses the analogy of an auditorium feeling hot not because of the people inside (the conscious mind) but due to a fault in the power plant in the basement (the deeper, unconscious mind). The problem is experienced consciously, but its source is hidden. Acharya Prashant elaborates that the conscious mind is merely the experiencer of problems, not their source. He compares this to having a bad mood without knowing why, or finding termites destroying furniture, with their source hidden behind a wall. Similarly, the tears indicate that the 'medicine' of the verses is working on a deeper, unconscious level. He distinguishes between tears of emotion (bhavna) and tears of understanding (bodh). Quoting another of Kabir's couplets, "Love cannot be hidden; it manifests in the heart. The mouth says nothing, but the eyes weep," he explains that tears can signify either the expression of a mental tendency (vritti) or its dissolution. The melting of the hard, stubborn ego is what flows out as tears of understanding, which are devoid of sorrow. He describes this as a natural process of 'melting' an inner, frozen glacier of ego, and that one who cannot cry may have an unmelting glacier within. A second questioner asks why enlightened beings often have short lives, suggesting that nature ultimately wins. Acharya Prashant explains that nature's primary drive is procreation and survival. When an individual chooses the spiritual path, which transcends this biological imperative, nature may become indifferent or even hostile. This can manifest as health issues, as the body's natural tendencies are no longer the priority. Society, acting as an agent of nature, also opposes those who defy its norms. The spiritual teacher's life is a constant struggle, absorbing the burdens of others, which takes a toll. This can lead to a slow 'death by a thousand cuts.' Acharya Prashant concludes by stating that his purpose is to be fully utilized by his listeners. He urges them not to worry about his longevity but to make full use of his teachings. The greatest injustice, he says, would be not to use him. He advises them to listen, digest his words, and transform their lives, as he wishes to be completely spent in this work. He says, "Use me. Don't worry about me, make use of me."