Acharya Prashant recites a poem addressed to a divine entity, questioning the purpose of his birth. He begins by stating that on the divine's festival, he was born and felt blessed. However, as his understanding grew, he questioned why he was sent into a world that deceives him and where the divine's own name is misused. He asks what his place is in such a world. The speaker elaborates on the hypocrisy prevalent in the world, all carried out in the divine's name. He states that people fabricate stories, trade in fear, torment animals, and spread superstition. They selfishly try to pull the divine down from his peak, and despite consuming the whole world, they remain discontent. He addresses the divine by various names such as the Inconceivable One (Achintya), the Fearless One (Abhiru), the Lord of Animals (Pashupati), and the Embodiment of Enlightenment (Bodhmurti). The poem then shifts to the speaker's internal state. He feels he was sent with rebellion and a challenging spirit. What is a divine play (Leela) for the divine is a burning flame of suffering for him. He feels thrown into an impossible war against illusion (Maya), which uses the divine's own name as its power. He asserts that while Maya cannot lose, he will not accept defeat. As an ordinary human, he can neither win nor lose and is left bloodied from head to toe. In his final plea, the speaker asks the Cosmic Dancer (Nataraj) for liberation from this anguish. He urges the divine to rise from his deep meditation (Samadhi) and perform the dance of destruction (Tandav) to end all hypocrisy and sin. He wishes for the destruction of sin, injustice, cruelty, and the entire world where innocent beings are killed daily. He asks for the annihilation of his own pain and the entire expanse of unrighteousness (Adharma). The poem concludes with the speaker asking for a boon on the divine's festival: not an endless love song, but the final song of destruction.