Acharya Prashant begins by questioning the audience about their online search habits, asking when they last searched for terms like 'liberation' on YouTube, or 'truth', 'salvation', 'nirvana', 'Vedanta', or 'philosophy' on Google. He points out that if people do not search for such topics, videos about them will not appear in their recommendations. The only way to bring these videos forward is to promote them. This promotion is necessary, he explains, because society is very fallen and does not naturally seek out such content. Without promotion, these videos would be buried and no one would ask for them. The speaker states that the need for promotion will end on the day the audience becomes capable of recognizing and forwarding the right content themselves. When that happens, the need for donations will also cease. However, he emphasizes that today, donations are very much needed, and the amount received is not even one-tenth of what is required. He mentions that to bring these videos to the public, they have to cut salaries and expenses. In the second part, the discussion turns to the Hindi poet Dhumil. The questioner finds Dhumil's poetry complex and asks why Acharya Prashant, who advocates for simplicity, is fond of such a poet. The questioner recites Dhumil's poem, 'Lohe ka Swaad' (The Taste of Iron). Acharya Prashant explains that this is one of Dhumil's shortest and last poems and is not complex. He says the poem is about poetic integrity, stating that writing poetry is not mere rhyming but must come from the heart. He interprets the line, 'Read the fallen man between the letters,' as a call to understand the pain from which the words originate. He explains that the poem contrasts the 'sound of iron' with the 'color of blood fallen in the mud,' critiquing the insensitivity of those who hear the sound but do not see the suffering. Poetry, he says, is not in the sound of words but in the blood behind them. Acharya Prashant further elaborates on Dhumil's perspective by referencing other poems. He quotes, 'A correct poem is first a meaningful statement,' and 'Poetry is the etiquette of being human in language.' He explains that for Dhumil, poetry is not for entertainment or personal gain but an affidavit of an innocent man in the court of words. He also mentions Dhumil's poem about his friend Rajkamal Chaudhary, highlighting the line, 'He had to live life keeping the minimum distance between life and living.' He connects with Dhumil's rebellious nature, which is against the 'grammar of the world.' He concludes by saying that he learned from Dhumil to speak the truth bluntly, without any embellishment.