Acharya Prashant critiques the cultural tradition of Vidai, questioning why women are expected to abandon their parental homes and why society romanticizes this separation through emotional songs and rituals. He argues that if the departure causes such profound grief, the tradition itself is flawed and should be rejected. He dismisses the justification of social compulsion, asserting that treating a daughter as "someone else's property" is a form of objectification. He points out the irony of seeking security in a stranger while leaving behind the parents who raised them, suggesting that such dependency is a barrier to spiritual liberation. Furthermore, Acharya Prashant connects these sentimental traditions to the systemic issue of female foeticide in India. He highlights the hypocrisy of a culture that sings emotional songs about daughters while simultaneously ensuring their elimination through skewed sex ratios. He describes popular wedding songs as being rooted in a carnal and materialistic view that treats women as reproductive tools or decorative objects rather than human beings. He emphasizes that true spirituality is based on liberation, and any relationship that demands bondage or the severing of natural ties is contrary to the pursuit of Truth. He concludes that human relationships must be secondary to the primary goal of liberation, as failing to prioritize Truth leads to the degradation of the individual and society.