Acharya Prashant criticizes the practice of making young girls, aged six to eight, dance to vulgar songs like "Munni Badnaam Hui" and "Tera Butter Chicken Hoon." He questions what kind of feelings are being instilled in these children by making them dance to such songs. He vehemently rejects this as art, exclaiming, "To hell with such art." He asks what life lesson a six, seven, or eight-year-old girl learns when she is made to dance to an item number. He points out that the girl displays expressions and gestures, such as suggestive eye movements, that are inappropriate for her age, while the audience, including her family, applauds. The speaker explains that when the girl reaches thirteen or fourteen, femininity and lust will naturally arise. However, by making her dance this way, she is being turned into a complete woman at the tender age of six or eight. He states that in India, dance has always been dedicated to God. He contrasts this with the current trend of suggestive moves and cheap lust, which he asserts is not dance. He urges the audience to observe these dance shows and question what the children are learning, asking who taught them to make such gestures since these feelings are not natural at their age. Acharya Prashant highlights the hypocrisy of society, where a film may be deemed unsuitable for children, yet it is considered acceptable for a child to dance to a vulgar song from that same film. He criticizes the judges on these shows who praise such performances as "art," stating that they are insulting the very word. He attributes this trend to the greed for money and fame, condemning the parents, the audience, the show's organizers, and the judges. He questions why they are snatching away the child's innocence, arguing that while various disorders will arise with age, the child's innocence should be preserved for as long as possible. He clarifies that he is not against dance, which can be a very high art form, but against the vulgar songs and the intention of pushing children into such reality shows.